Is it OK to like J.K. Rowling?
Stephen H. Provost
Is it still OK to like Harry Potter? How about J.K. Rowling?
Read MoreUse the form on the right to contact us.
You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right.
PO Box 3201
Martinsville, VA 24115
United States
Stephen H. Provost is an author of paranormal adventures and historical non-fiction. “Memortality” is his debut novel on Pace Press, set for release Feb. 1, 2017.
An editor and columnist with more than 30 years of experience as a journalist, he has written on subjects as diverse as history, religion, politics and language and has served as an editor for fiction and non-fiction projects. His book “Fresno Growing Up,” a history of Fresno, California, during the postwar years, is available on Craven Street Books. His next non-fiction work, “Highway 99: The History of California’s Main Street,” is scheduled for release in June.
For the past two years, the editor has served as managing editor for an award-winning weekly, The Cambrian, and is also a columnist for The Tribune in San Luis Obispo.
He lives on the California coast with his wife, stepson and cats Tyrion Fluffybutt and Allie Twinkletail.
Filtering by Tag: J.K. Rowling
Is it still OK to like Harry Potter? How about J.K. Rowling?
Read MoreWhat it all boils down to is authors are people who do a job that they believe in. We want to be paid, and we want to be appreciated. That shouldn’t be too hard to understand. In that way, we are all the same — not just authors, but human beings: That’s all most of us really ever want.
Read MoreTo look at horror films, you’d think we lived in the Vatican. Catholics account for barely one-fifth of the adult population in the U.S., and it’s declining. But supernatural horror is overrun by demons, antichrists (often cherubic-faced little boys), possessed nuns, vampires, and ghosts of sinners past.
Read MoreNote: With reluctant apologies to J.K. Rowling, Terry Pratchett and Neil Gaiman, I following is a lighthearted look at why most writers not bearing those names find turning readership into Amazon reviews more difficult than transmuting lead into gold. Difficult, but not impossible: I’m immensely grateful for readers who take the time to leave reviews of my books. You are a rare and precious breed. I love you eternally.
The Amazon book review. Authors covet them nearly as much as Gollum longs for his precious and Wile E. wants that Roadrunner. Short of the New York Times bestseller list, they’re the Holy Grail for writers. And they’re just as elusive, too.
For the longest time, I wondered why so few readers bother to leave them. But then I hit on something during a recent trip to France that I think explains it all better than even Clarissa could. I’ve never been to France, but that didn’t stop me from traveling there in my mind to visit the abode of famed alchemist Nicolas Flamel. As it happened, the door was unlocked and the place was empty when I arrived, which afforded me the chance to do a little snooping. And, while rummaging around in Flamel’s credenza, I made a notable discovery.
How did I obtain access to the famed 14th century alchemist’s credenza, you ask? Have you ever heard of the phrase “suspending disbelief”? Well, Flamel figured out how to do it: When I arrived in his domicile, I found disbelief suspended a good three feet above the aforementioned credenza. Its arms and legs were flailing madly in the air, a look of, well, disbelief on its face. My point is this: If Flamel can suspend disbelief, literally, you can, too!
“Why a credenza?” you ask? Because the word sounds damned cool, that’s why, and because I don’t believe I’ve ever used it on the printed page (or unprinted screen) before. So, if you would be so kind, please stop asking irrelevant questions and try a query that gets at the heart of the matter. Like – repeat after me – “What did you discover?”
Yes. Now that’s more like it. I think you’re getting the hang of this.
Within said credenza, the alchemist had deposited a caisson – another word I’ve never used in print – and within this caisson was a parchment scroll in a most delicate condition. Upon this scroll was written the following. No, not in English, in French, silly. I could decipher it because I had four years of high school French (actually three, but I skipped ahead to French 4 halfway through my senior year). Or perhaps because I’m making this whole thing up. I’ll let you figure out which. You might derive a hint from the fact that modern French is probably as different from 14th century French as modern English is from Beowulf. You know, that epic poem about the first werewolf that exhorted its readers to “be a wolf!” Talk about inspirational! I will tell you this much: I really did skip ahead to fourth-year French.
However any of that may be, here’s my translation of what Flamel allegedly wrote: “I have discovered the key to immortality, the famed elixir of life!” This elixir, Flamel continued in scrawled, archaic French script, was in fact no elixir at all, but the written word. “It is through the written word that man shall transcend death and vanquish mortality! Thus shall his mind be known throughout eternity!” Flamel knew this, he said, because the philosopher’s stone (not the sorcerer’s stone, you dumbed-down Americanized Potterheads!) was inscribed with, yes, written words!
The stone was the source of all ancient wisdom and treasured lore. Kind of like the emerald tablet of Hermes or the collected scripts of Star Trek: The Original Series. If its secrets were to become known, anyone who might read them could live forever!
Flamel, however, didn’t want that. He was a jealous sort who coveted immortality for himself and himself alone, so he destroyed the philosopher’s stone and made it his sacred mission to limit the spread of the written word thenceforth, in perpetuity.
Being able, like Nostradamus, Agnes Nutter and Grandmama Addams, to see into the future with uncanny accuracy, Flamel deduced that, at the dawn of the third millennium (common era), a “river of words” would begin flowing from something called “the Amazon.” Flamel, like most men of his age, was a bald-faced chauvinist, so he dismissed the idea that this prophecy might refer to a powerful woman, such as, say, Diana Prince or her alter egos, Lynda Carter and Gal Gadot. There had to be another interpretation.
This being the 14th century, no European had yet visited the New World (which was really no newer than the Old World was old). Nevertheless, Flamel, foreseeing the future, knew that this would occur when, in the midst of a prophetic reverie, he penned the following: “Therefore shall the Amazon be dammed up, that no man may review its course, denying all men access to the font of eternal life!” (the “font” in question being Times New Roman).
Flamel did, in fact, speak of “men” repeatedly because he was, as noted above, a bald-faced chauvinist. (Whether the top of his head was bald, too, is unclear, as his famous portrait shows him wearing a hat.) Despite being an alchemist, he wasn’t particularly enlightened. But then, the Enlightenment was still a few centuries away back then.
It should come as no surprise, when this is considered, that no evidence was found in his credenza, the caisson therein or anywhere else that he foresaw the equal rights movement. Even prophets see what they wish to see. Moreover, Flamel was not, by any means, perfect (unlike Agnes Nutter, who was not a man and who was considerably more accurate – and nicer – in her prophecies). But he was accurate enough, if not very nice about wanting to hoard all of immortality for himself!
Yes, indeed, he was accurate enough, even though his prophecies had nothing to do with a then-yet-to-be-discovered river, as he imagined. For at the dawn of the third millennium, a river of words did, indeed, begin flowing from “the Amazon.” A virtual river, to be sure, but still a river, it must be admitted. And that river became dammed – or was it damned? – by Flamel’s curse so that men (and women) had a devil of a time reviewing the words that flowed from “the Amazon’s” digital headwaters. Swimming against the current, so to speak.
I speak, naturally, of the aforementioned book reviews on Amazon, which readers are so hesitant to provide that it became quite clear to me something supernatural was afoot – Flamel’s curse being the most rational explanation. Without even the most curse-ory reviews, fewer books would sell, and a greater share of the eternal pie (or pi) would be reserved for Flamel, who, even though long dead, would continue to benefit (don’t ask me how; I haven’t figured that part out yet) even in the form of his formless specter.
It seemed a reasonable enough conclusion. Still, I had to be sure. So, seeking confirmation of my theory, I sought to interview a few random readers who had failed to post reviews even though they were known to have purchased books from Amazon. Here are some of the responses I got.
“I decided I’d rather clean the toilet.”
“Oh, my significant other offered to do the dishes, but I realized that would leave me no excuse for reneging on my promise to post a review. So, I did the dishes and two loads of laundry on top of that!”
“I spilled cod liver oil on my hands so I would have an excuse not to gum up my keyboard! Don’t ask me why I was drinking cod liver oil. I had my reasons. Besides, it was better than posting a review!”
“I got a written excuse from my doctor. Or nurse practitioner. Or next-door neighbor who happened to be wearing a white T-shirt that would pass for a hospital uniform if you saw him from the other end of a football field. It’s all the same.”
These responses were suspicious enough, but what really got me were the next few:
“It’s against my philosophy.”
“Dude. Chill. I was too stoned.”
“I decided I’d rather reread the last four chapters of my philosophy textbook.”
“I was afraid authors of competing books would stone me.”
“I’d rather have a kidney stone that write a review!”
“I got stuck at Phil and Sophie’s house.”
A definite pattern was emerging around philosophy and stones, and that could only mean one thing: Flamel’s curse was working. And it was working so well that readers would rather do anything except write a book review! Eat kale. Have a tooth extracted or even a root canal. Watch endless reruns of The PTL Club. Beat – or be beaten by – a dead horse. Anything!
(Among the excuses offered, tooth extraction seemed particularly apropos: Extracting reviews from readers can feel like pulling teeth!)
I looked at the parchment again and wondered: What if I were to burn it? Would that remove the curse? I struck a match and held it to the corner, which I was about to set ablaze when it occurred to me: This might be exactly what Flamel was counting on! I would be burning words on a paper, the very instruments of immortality he was trying to destroy (even if they were in French). I would be doing his work for him! I was damned if I did and damned if I didn’t. Or dammed. Probably both.;
Dejected, I returned the parchment to the caisson and the caisson to the credenza, hung my head and departed. It was plain that I would have to go back to begging and pleading for reviews, crawling to readers on my hands knees like some penitent medieval scribe, for all the good it would do me. Flamel was simply too accomplished an alchemist. I was beaten.
But I vowed, even so, that I wouldn’t stop writing. I’d even thumb my nose at old, dead Nicky Boy and write a little philosophy now and then. That would show him! I might not be able to beat him, but I could still grab a few crumbs from his precious pie of immortality for myself. Reviews or no reviews, I’ve still got a little bit of Harry Potteresque magic in my pen … er … keyboard, and I intend to use it!
Amazonus Scriptorus!
That’s got a nice ring to it. Now if I could just get J.K. Rowling to review one of my books! Who am I kidding, though. I may be a philosopher, but I’m no sorcerer!